Michael – Movie Reviews by Ry!

Michael – Moonwalking to Billie Jean: I am … The King of Pop

The journey of one can be somewhat magical.  From the highs and lows of the roads traveled, we step forward hoping that … as new days come, we find some purpose.  That feeling of connection provides a place where storytelling can rise to the occasion, especially in biopics.  In this review, I look at the latest biopic to hit the big screen.  Diving into a life defined by music, we embark on a tale that becomes a showcase of greatest hits.  Even with obvious clichés, Michael is a journey into how a kid from Gary became the King of Pop. 

From humble beginnings to a clash of creativity, we journey into the early days of what made Michael Jackson (Jaafar Jackson) a music icon.  When we watch films, we have a mindset of wanting to feel the escape.  From the experience to emotional fervor, a biopic dances in that feeling … hoping to provide entertainment through revelations.  With this film, the creatives put a microcosm on the early days of Michael Jackson and his rise to fame.  The story begins when Michael is a kid.  Through scenes of  practice and touring, we get to see the rise of the Jackson 5 and the fragile ‘father/son’ dynamic between Michael and his father, Joseph Jackson (Colman Domingo).  This leads to a first act becoming a mix bag of familial themes and musical prowess through hints of foreshadow elements of creative conflict.  Once this foundation is set, the journey quickly moves to build up the idol that is ‘Michael’ (in the second act).  This transition propels the rising star motif, building through specific musical moments related to the Jackson 5 and his solo aspirations.  The juggling act becomes the crux of the film, giving strength to our central character and his relationship with his father.  From his first solo album to the making of ‘Thriller’, it pulls you in and makes you feel the moment, driving you into the heart of the biopic.

Beyond the music, the film dances in clichés that are recognizable for a biopic.  For all the greatness that comes in the music and the father/son conflict, the rest of the characters are forgettable.  Even as the foundation never builds from its simple threads, the moments that are strong continue to pull you into the music that defined a generation.  When that creative clash finally reaches its peak, we head into a third act that is a montage of moments, leading to a musical climax.  Michael is a mixed bag of a film.  If you are a fan of the music or biopics, there is a lot of fun to find here.  In the end, I think there is enough for a feel-good time at the theaters.

Full Score – 3.5 out of 5 (Matinee)